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	<title>THE PAINTER&#039;S TONGUE</title>
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	<link>http://mtmcclanahan.com/ThePaintersTongue</link>
	<description>AN ARTIST&#039;S JOURNAL</description>
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		<title>Properties Of Colored Pigment &amp; Simultaneous Contrast</title>
		<link>http://mtmcclanahan.com/ThePaintersTongue/2011/11/05/four-properties-of-colored-pigment/</link>
		<comments>http://mtmcclanahan.com/ThePaintersTongue/2011/11/05/four-properties-of-colored-pigment/#comments</comments>
		<pubDate>Sat, 05 Nov 2011 16:50:15 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[Painting 101]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[hue]]></category>
		<category><![CDATA[intensity]]></category>
		<category><![CDATA[properties of color]]></category>
		<category><![CDATA[temperature]]></category>
		<category><![CDATA[value]]></category>

		<guid isPermaLink="false">http://mtmcclanahan.com/ThePaintersTongue/?p=4645</guid>
		<description><![CDATA[There are four properties of colored pigment that the artist manipulates in order to produce a work: value, temperature, intensity and hue.
]]></description>
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		<title>Beginning At The End</title>
		<link>http://mtmcclanahan.com/ThePaintersTongue/2011/11/04/beginning-at-the-end/</link>
		<comments>http://mtmcclanahan.com/ThePaintersTongue/2011/11/04/beginning-at-the-end/#comments</comments>
		<pubDate>Fri, 04 Nov 2011 14:39:21 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[Life Is Art Is Life]]></category>
		<category><![CDATA[commitment]]></category>
		<category><![CDATA[finish]]></category>
		<category><![CDATA[focus]]></category>
		<category><![CDATA[voice]]></category>

		<guid isPermaLink="false">http://mtmcclanahan.com/ThePaintersTongue/?p=519</guid>
		<description><![CDATA[An important factor in knowing when to stop is knowing where to begin and then staying focused throughout the process. It’s the idea of having something to say, from the beginning. If I know what it is I want to say at the start, if I know my aim and I don’t lose sight of it, then I am more apt to know when I’ve reached it. ]]></description>
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		<title>Shadow Of The Bear</title>
		<link>http://mtmcclanahan.com/ThePaintersTongue/2011/11/02/shadow-of-the-bear/</link>
		<comments>http://mtmcclanahan.com/ThePaintersTongue/2011/11/02/shadow-of-the-bear/#comments</comments>
		<pubDate>Wed, 02 Nov 2011 18:49:10 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[Life Is Art Is Life]]></category>
		<category><![CDATA[Various & Sundry]]></category>
		<category><![CDATA[observation]]></category>
		<category><![CDATA[spiritual]]></category>

		<guid isPermaLink="false">http://mtmcclanahan.com/ThePaintersTongue/?p=4558</guid>
		<description><![CDATA[But there is something here that transcends the everyday, transcends familiarity and size, something satisfying to the soul. It's the seemingly simple things in life that give us the deepest satisfaction I think...]]></description>
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		<title>When Is A Painting Ready For The Trash (Part 2)</title>
		<link>http://mtmcclanahan.com/ThePaintersTongue/2011/10/14/when-is-a-painting-ready-for-the-trash-part-2/</link>
		<comments>http://mtmcclanahan.com/ThePaintersTongue/2011/10/14/when-is-a-painting-ready-for-the-trash-part-2/#comments</comments>
		<pubDate>Fri, 14 Oct 2011 09:12:31 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[Me Method]]></category>
		<category><![CDATA[Various & Sundry]]></category>
		<category><![CDATA[finish]]></category>
		<category><![CDATA[finished]]></category>
		<category><![CDATA[paint over]]></category>
		<category><![CDATA[painting]]></category>

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		<description><![CDATA[This is Part 2 on this topic. I recently began a discussion on Linkedin.com on the question "how and when does the artist know, while in the process of doing a piece of art, that the work is not going anywhere and must be destroyed or redone". ]]></description>
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		<title>A Touch Of Intensity</title>
		<link>http://mtmcclanahan.com/ThePaintersTongue/2011/10/13/touch-of-intensity/</link>
		<comments>http://mtmcclanahan.com/ThePaintersTongue/2011/10/13/touch-of-intensity/#comments</comments>
		<pubDate>Thu, 13 Oct 2011 15:50:38 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[Me Method]]></category>
		<category><![CDATA[accent]]></category>
		<category><![CDATA[brightness]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[intensity]]></category>

		<guid isPermaLink="false">http://mtmcclanahan.com/ThePaintersTongue/?p=4404</guid>
		<description><![CDATA[There are different accents--small, sharp contrasts--at work in a painting which act as a kind of spark. With color, I attempt to accent a painting with something, an intense blue or gold usually, sometimes together, to make a work pop, to make it sing. 
]]></description>
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